Alan Sepinwall succinctly summarizes just a few of the reasons why the Emmys are a joke here, and it's a bitter joke indeed that The Wire has been so pointedly ignored every year aside from a writing nomination for season three. Amazingly, it didn't even crack the list of top 10 Best Drama finalists that leaked a month or so ago. Of course, the Emmys are just continuing their tradition of shunning anything that comes out of Bawlmer, beginning with their repeated Homicide snubs in the early 90's (I checked and The Corner did get some nominations in the miniseries category). At this point, I even picture the voters sending David Simon anonymous, taunting e-mails: Hey Baldy, hope you're enjoying your lake trout subs in "Charm City." I was playing squash w/ Kelsey G. when I got a text about your latest goose egg. Maybe some day you'll make a grown-up show in a real city with an actual star like Billy Baldwin or Billy Pullman... or even Billy Connolly (news flash, Mr. Reporter: he's versatile). Until then, go choke on a crabcake, loser. Yerrrp! Sincerely, "Olympia Bukakis"
Of course, Deadwood hardly fared any better, aside from some production nods (nice to see that backbreaking budget pay off!), but that's no surprise as you can only throw out the word "cocksucker" so many times before you start to turn off voters (just ask Bill Moyers). 30 Rock did get a comedy series nom, but a win probably wouldn't do them any more good than it did Arrested Development. And where, oh where, was the love for Daddy's Hoes on the CW, starring Michael Rappoport's brother, Ahmnott? This was their year, cocksuckers!
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